Category: Frankish (Frenkisk)

Sponge Mushrooms

By Simon

In Swedish, I learned this week, there are two words for mushroom: svamp [svamp] (fungus, mushroom, toadstool, sponge) and champinjon [ɧampɪnˈjuːn] (mushroom) [source].

Svamp comes from the Old Swedish svamper (fungus, mushroom), from Old Norse svampr / svǫppr (sponge, mushroom, ball), from the Proto-Germanic *swammaz / swambaz (sponge, mushroom, fungus, swamp), which is also the root of the English word swamp [source].

The Old English word swamm (mushroom, fungus, sponge), and the Middle English swam (swamp, muddy pool, bog, marsh; fungus, mushroom), come from the same root as well [source].

Mushroom was borrowed from the Anglo-Norman musherum / moscheron (mushroom), from the Old French moisseron (mushroom), possibly from the Old French mosse / moise (moss), from the Frankish *mosa (moss) [source]

Champinjon was borrowed from the French champignon (mushroom, fungus, accelerator), from the Vulgar Latin *campāniolus (grows in the field), from the Late Latin campāneus (pertaining to fields), from Latin campānia (level country), which is also the root of the words campaign and champagne.

Apparently champinjon is used to refer to mushrooms used as food, and was borrowed into Swedish in 1690 [source], while svamp refers to mushrooms and fungi in general.

Svamp

Random Flowing Slumps

By Simon

One of the random Swedish words I learnt recently that I rather like is slumpmässig, which means random, arbitary or haphazard, and isn’t just en slumpmässig radda bokstäver (a random jumble of letters).

Some other examples of how it’s used include:

  • Jag skall nämna några saker i slumpmässig ordningsföljd
    I would like to list a few issues in no particular order
  • Denna utveckling är inte slumpmässig
    This has not happened by chance

Related words include:

  • slump = accident, chance, coincidence, happenstance, hazard
  • slumpa = to randomize
  • slumpartad = casual, coincidental, fortuitous, serendipitous
  • slumpartat möte = chance encounter
  • slumpmässigt = random, haphazardly

Source: bab.la dictionary

The English word slump is possibly related to the Danish and Norwegian word slumpe (to happen on by chance), which comes from the Middle Low German slumpen, and may be onomatopoeic in origin [source].

Incidentally, the English word random comes from the Middle English randoun / raundon (force, magnitude, haste, intensity), from the Old French randon, from randir (to run, gallop), from the Frankish *rant / *rand (run), from the Proto-Germanic *randijō, from *rinnaną (to run), from the Proto-Indo-European *(H)r ̊-nw- (to flow, move, run) [source].

Which is all a bit random, is it not?

Buoys & Oxen

By Simon

What is the connection between buoys and oxen?

Buoy

Well, the word buoy comes from the Middle Dutch boeye (float, buoy), from the Old French buie (fetter, chain), probably from Frankish *baukan (sign, signal), the root of the English word beacon, or from the Latin boia (a (leather) collar, band, fetter), from the Ancient Greek βόεος (bóeos – of ox-hide), from βοῦς (boûs – ox), from the Proto-Indo-European *gʷow- (cow) [source].

Traditional Ox & cart

How do you pronounce buoy, by the way?

I pronounce it [ˈbɔɪ], as in boy, but I understand that some pronounce it [ˈbuːiː] or [ˈbui], like bwee.

Patois

By Simon

One of the things we talked about last night at the French conversation group was patois, specifically Jamaican (Jimiekn / Patwah).

In French patois means

“Système linguistique essentiellement oral, utilisé sur une aire réduite et dans une communauté déterminée (généralement rurale), et perçu par ses utilisateurs comme inférieur à la langue officielle.” [source]

or

“an essentially oral linguistic system, used in a small area and in a particular community (usually rural), and perceived by its users as inferior to the official language.”

In English patois means “an unwritten regional dialect of a language, esp. of French, usually considered substandard; the jargon of particular group.” [source].

Another definition of patois from Wiktionary is:

1. A regional dialect of a language (especially French); usually considered substandard.
2. Any of various French or Occitan dialects spoken in France.
3. Creole French in the Caribbean (especially in Dominica, St. Lucia, Trinidad and Tobago and Haiti).
4. Jamaican Patois, a Jamaican Creole language primarily based on English and African languages but also has influences from Spanish, Portuguese and Hindi.
5. Jargon or cant.

It comes from the Middle French patois (local dialect), from the Old French patois (incomprehensible speech, rude language), from the Old French patoier (to gesticulate, handle clumsily, paw), from pate (paw), from Vulgar Latin *patta (paw, foot), from the Frankish *patta (paw, sole of the foot), from the Proto-Germanic *pat-, *paþa- (to walk, tread, go, step), of uncertain origin [source].

Patois was first used in written French in 1643 to refer to non-standard varities of French, and to regional languages such as Picard, Occitan, Franco-Provençal and Catalan. Such varities and languages were assumed to be backward, countrified, and unlettered. Use of the word was banned by king Louis XIV in 1700.

There is no standard linguistic definition of patois, and to a linguist it can refer to pidgins, creoles, dialects, or vernaculars [source].

Are there similar words in other languages?

Heys and Hedges

By Simon

Last night I went to a session of Playford dancing. Bangor University Folk Society run a workshop for Playford dancing once a month, and some of those involved persuaded me to give it a try. It’s the kind of dancing you might see in dramas set in 17th or 18th century England.

Here’s an example of one of the dances we did last night (we weren’t wearing costumes like this though):

Apparently back in the 1600s middle class people in England were getting tired of difficult, formal dances, and started dancing the simpler dances of country folk as light relief. Dancing experts took the country dances and made them a bit more complex. The new dances proved very popular, and in 1651 a collection of them was pubished by John Playford in a book called ‘The English Dancing Master’. Several more editions and similar books were published after that.

In the early 20th century there was a revival of interest in folk music and dance, Playford’s book provided the earliest known descriptions of English country dances, and this style of dancing became known as ‘Playford dancing’ [source].

One of the moves we danced last night is called a hey or hay, a kind of figure of 8 weave. I wasn’t sure how to spell it, or where it came from, so I thought I’d find out.

A hey is “a choreographic figure in which three or more dancers weave between one another, passing by left and right shoulder alternately”. It comes from the French haie (hedge), and refers to the weaving patterns used in hedgelaying [source].

Haie comes from the Medieval Latin haga, from the Frankish *hagja, from Proto-Germanic *hagjō (hedge) [source], from the Proto-Indo-European *kagʰyóm (enclosure), which is also the root of the English words hedge and hawthorn [source].

Anyway, I really enjoyed the dancing and will probably be going along next month.

Crotchets & Quavers

By Simon

An illustration of musical notes

Yesterday I finally worked out how to create musical scores on my computer (using musescore). It’s something I’ve tried before, but couldn’t get the hang of. So now I’m going write out all the tunes I’ve composed. As I’m doing this, I thought I’d look into the names of some musical notes and their origins.

The commonly-used types of musical notes are shown in the image. Their names are different in British English and American English. The American English names are self-explanatory, and a bit boring. The British English ones are more interesting, so let’s look at where they come from:

  • A semibreve is the longest note in common-use. The breve, or double whole note, does exist, but is quite rare. The word breve comes from the Old French brieve / breve (brief), from the Latin brevis (short) – in medieval music the brevis was one of the shortest notes. A semibreve is half the length of a breve.
  • A minim is half the length of a semibreve, and comes from the French minime (minimal), from the Latin minimus (smallest, shortest, youngest), a superlative of minor (smaller) from the Proto-Indo-European *mey- (few, small).
  • A crotchet is half the length of a minim, and comes from the Old French crochet (little hook), a diminutive of croc, from the Frankish *krōk (hook) or from Old Norse krókr (hook, bend, bight), from the Proto-Germanic *krōkaz (hook), from Proto-Indo-European *gerg- (tracery, basket, twist).
  • A quaver is half the length of a crotchet, and comes from the Middle English quaveren, a form of quaven / cwavien (to tremble), from quave (a shaking, trembling)

A semiquaver is half the length of a quaver, and a demisemiquaver is half the length of a semiquaver. Shorter, and less commonly-used notes include:

  • Hemidemisemiquaver or 64th note
  • Semihemidemisemiquaver or quasihemidemisemiquaver or 128th note
  • Demisemihemidemisemiquaver or 256th note

Sources: Wikipedia, Wiktionary, Online Etymology Dictionary